{"id":1235,"date":"2016-04-30T06:26:43","date_gmt":"2016-04-30T05:26:43","guid":{"rendered":"http:\/\/www.nguyensao.fr\/?page_id=1235"},"modified":"2025-06-11T19:56:22","modified_gmt":"2025-06-11T18:56:22","slug":"nguyen-sao-3","status":"publish","type":"page","link":"https:\/\/www.nguyensao.fr\/index.php\/en\/nguyen-sao-3\/","title":{"rendered":"Nguy\u1ec5n Sao"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Nguy\u1ec5n Sao <\/strong>is an artist, native of Vi\u00eat-Nam : he <span class=\"transpan\"><span id=\"tran0\">was born on the 1st of September 1915 in the village of V\u1ef9-D\u1ea1 (Hu\u00ea &#8211; Central Vi\u00eat-Nam) and died in Paris on January 27th, 2006.<\/span><\/span><\/p>\n<figure id=\"attachment_1277\" aria-describedby=\"caption-attachment-1277\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1960_1212_ND_murPapa_bas.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1277 size-medium\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1960_1212_ND_murPapa_bas-300x209.jpg\" alt=\"Nguy\u1ec5n Sao, Saigon, 1960\" width=\"300\" height=\"209\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1960_1212_ND_murPapa_bas-300x209.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1960_1212_ND_murPapa_bas.jpg 757w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1277\" class=\"wp-caption-text\">Saigon, 1960<\/figcaption><\/figure>\n<figure id=\"attachment_1304\" aria-describedby=\"caption-attachment-1304\" style=\"width: 228px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1994_0000_versAAPP_b_bas-rec.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1304\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1994_0000_versAAPP_b_bas-rec-293x300.jpg\" alt=\"Nguy\u1ec5n Sao, Paris, 1994\" width=\"228\" height=\"233\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1994_0000_versAAPP_b_bas-rec-293x300.jpg 293w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/1994_0000_versAAPP_b_bas-rec.jpg 550w\" sizes=\"auto, (max-width: 228px) 100vw, 228px\" \/><\/a><figcaption id=\"caption-attachment-1304\" class=\"wp-caption-text\">Paris, 1994<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: left;\">Nguy\u1ec5n Sao<\/h2>\n<p style=\"text-align: left;\">Even though\u00a0 he had inherited Asian culture, he remained quite open-minded and his work reflects various inspirations due to artistic encounters that crossed his way in his lifetime shared between Vi\u00eat-Nam and France.<\/p>\n<p style=\"text-align: left;\">Graduate from the Applied Art School of Gia-\u0110inh (Tr\u01b0\u01a1ng V\u1ebd Gia-\u0110inh) in 1935, he completed h\u00eds artistic studies at the Fine-Arts and Decorative Arts Schools of Paris (1943-1949). <strong>Nguy\u1ec5n Sao<\/strong> was one of the last <strong>Vietnamese artists<\/strong> trained during the colonial period, and when he returned to his homeland, one of the first who taught in the art schools of Vi\u00eat-Nam in Hano\u00ef then in Saigon (1952-1964), bringing his experience of Western art <a href=\"http:\/\/www.nguyensao.fr\/index.php\/en\/teacher\/\">(See Teaching career)<\/a>.<\/p>\n<p style=\"text-align: left;\"><span id=\"tran3\"><strong> We would say that he had more than one string to his bow<\/strong> <strong>as he was alternately at ease with :<\/strong><br \/>\n<\/span><\/p>\n<h2 style=\"text-align: left;\"><span id=\"tran3\"><strong>Oil, watercolour, pastel drawing and silk painting<\/strong> :<\/span><\/h2>\n<p style=\"text-align: left;\"><span id=\"tran3\">Named by the critics \u00ab\u00a0<em>Po\u00e8te du terroir<\/em>\u00a0\u00bb for his landscapes and his countryside and urban life scenes, the portrait was also a favourite theme, as shown in some of his paintings <a href=\"http:\/\/www.nguyensao.fr\/index.php\/en\/drawings-paintings\/\">(see Drawings, paintings)<\/a><\/span><br \/>\n<span id=\"tran4\"><\/span><\/p>\n<figure id=\"attachment_1327\" aria-describedby=\"caption-attachment-1327\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/MarchePleinAir_protegeBleu_bas-rec.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1327\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/MarchePleinAir_protegeBleu_bas-rec-300x236.jpg\" alt=\"March\u00e9 en plein air, couleurs sur soie 40x50, vers 1975\" width=\"300\" height=\"236\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/MarchePleinAir_protegeBleu_bas-rec-300x236.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/MarchePleinAir_protegeBleu_bas-rec.jpg 593w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1327\" class=\"wp-caption-text\">Market in Hanoi, colours on silk 40&#215;50 (circa 1975)<\/figcaption><\/figure>\n<figure id=\"attachment_1324\" aria-describedby=\"caption-attachment-1324\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/166_MarcheSaigon_protegeBleu_bas-huile-rec.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1324\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/166_MarcheSaigon_protegeBleu_bas-huile-rec-300x231.jpg\" alt=\"March\u00e9 de Saigon, huile sur toile 50x60, vers 1980\" width=\"300\" height=\"231\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/166_MarcheSaigon_protegeBleu_bas-huile-rec-300x231.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/166_MarcheSaigon_protegeBleu_bas-huile-rec.jpg 612w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1324\" class=\"wp-caption-text\">Market of Saigon, oil on canvas 50&#215;60 (circa 1980)<\/figcaption><\/figure>\n<figure id=\"attachment_1281\" aria-describedby=\"caption-attachment-1281\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_1641b_gouachePapier1964_29sur40cm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1281\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_1641b_gouachePapier1964_29sur40cm-300x220.jpg\" alt=\"P\u00eacheurs, gouache sur papier 29x40 (Saigon, 1964)\" width=\"300\" height=\"220\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_1641b_gouachePapier1964_29sur40cm-300x220.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_1641b_gouachePapier1964_29sur40cm.jpg 620w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1281\" class=\"wp-caption-text\">Fishermen, gouache on paper 29&#215;40 (1964)<\/figcaption><\/figure>\n<figure id=\"attachment_1271\" aria-describedby=\"caption-attachment-1271\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_2382b_pastelPapier_52sur68cm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1271\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_2382b_pastelPapier_52sur68cm-300x222.jpg\" alt=\"Chemin de campagne \u00e0 Auliac, pastel \u00e0 l'huile 52x68 (Paris, 1990)\" width=\"300\" height=\"222\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_2382b_pastelPapier_52sur68cm-300x222.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/IMG_2382b_pastelPapier_52sur68cm.jpg 635w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1271\" class=\"wp-caption-text\">Countryside at\u00a0 Auliac, pastel on paper 52&#215;68 (circa 1990)<\/figcaption><\/figure>\n<figure id=\"attachment_1612\" aria-describedby=\"caption-attachment-1612\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/laure.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1612 size-medium\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/laure-300x200.jpg\" alt=\"laure\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/laure-300x200.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/laure.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1612\" class=\"wp-caption-text\">Laure, oil on canvas 62&#215;75 (circa 1984)<\/figcaption><\/figure>\n<h2>Lacquer painting<\/h2>\n<p>He knew all about traditional Vietnamese lacquer (<strong>s\u01a1n ta<\/strong>) and the delicate techniques of sea and egg shells engraving, silver and gold sheets laying, but he was also an innovative lacquer painter, as he kept researching and using new colours with this medium, creating thus a real painting (<strong>s\u01a1n mai<\/strong> &#8211; <a href=\"http:\/\/www.nguyensao.fr\/index.php\/en\/lacquer-paintings\/\">see Lacquer paintings<\/a>).<\/p>\n<figure id=\"attachment_1301\" aria-describedby=\"caption-attachment-1301\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1301\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas-300x209.jpg\" alt=\"La cueillette des lotus, laque 60x90 (Saigon, vers 1970)\" width=\"300\" height=\"209\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas-300x209.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas-768x536.jpg 768w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas-1024x714.jpg 1024w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/05\/DevantPalais_b_protegeNoir_bas.jpg 1038w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1301\" class=\"wp-caption-text\">Picking water lilies, lacquer painting with gold sheets 60&#215;90 (Saigon, circa 1970)<\/figcaption><\/figure>\n<figure id=\"attachment_1931\" aria-describedby=\"caption-attachment-1931\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2025\/06\/02-10_1962_AFArelig_600db-REC-corr20-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1931 size-medium\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2025\/06\/02-10_1962_AFArelig_600db-REC-corr20-1-300x223.jpg\" alt=\"\" width=\"300\" height=\"223\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2025\/06\/02-10_1962_AFArelig_600db-REC-corr20-1-300x223.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2025\/06\/02-10_1962_AFArelig_600db-REC-corr20-1.jpg 443w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1931\" class=\"wp-caption-text\">Nguyen Gia Tri and Nguyen Sao show their lacquer paintings in the Alliance Fran\u00e7aise Salon, Saigon 1962<\/figcaption><\/figure>\n<h2>Engraving<\/h2>\n<p>Trained in this technique during his youth, he only showed his creations later in his art career <a href=\"http:\/\/www.nguyensao.fr\/index.php\/en\/engravings\/\">(see Engravings).<\/a><\/p>\n<h2>Sculpture<\/h2>\n<p>The busts, low-reliefs, religious statuary achieved at the height of his career revealed his taste for sculpture to the public <a href=\"http:\/\/www.nguyensao.fr\/index.php\/fr\/sculptures\/\">(See Sculptures)<\/a>.<\/p>\n<figure id=\"attachment_1445\" aria-describedby=\"caption-attachment-1445\" style=\"width: 266px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/papaSculpte3red.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1445\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/papaSculpte3red-300x282.jpg\" alt=\"Saigon, vers 1970\" width=\"266\" height=\"250\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/papaSculpte3red-300x282.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/papaSculpte3red.jpg 591w\" sizes=\"auto, (max-width: 266px) 100vw, 266px\" \/><\/a><figcaption id=\"caption-attachment-1445\" class=\"wp-caption-text\">Saigon, circa 1970<\/figcaption><\/figure>\n<p><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/SculptureMeme2Red.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1446 alignright\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/SculptureMeme2Red-286x300.jpg\" alt=\"SculptureMeme2Red\" width=\"238\" height=\"250\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/SculptureMeme2Red-286x300.jpg 286w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/SculptureMeme2Red.jpg 514w\" sizes=\"auto, (max-width: 238px) 100vw, 238px\" \/><\/a><\/p>\n<h2>Illustration<\/h2>\n<p><a href=\"http:\/\/www.nguyensao.fr\/index.php\/en\/illustrations\">(See Illustrations)<\/a><\/p>\n<h2>And decoration<\/h2>\n<figure id=\"attachment_1645\" aria-describedby=\"caption-attachment-1645\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/nonDate_decorJardinInterirur_bas.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1645\" src=\"http:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/nonDate_decorJardinInterirur_bas-300x207.jpg\" alt=\"D\u00e9cor d'un jardin (vers 1970)\" width=\"300\" height=\"207\" srcset=\"https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/nonDate_decorJardinInterirur_bas-300x207.jpg 300w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/nonDate_decorJardinInterirur_bas-768x530.jpg 768w, https:\/\/www.nguyensao.fr\/wp-content\/uploads\/2016\/06\/nonDate_decorJardinInterirur_bas.jpg 799w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-1645\" class=\"wp-caption-text\">Decoration of a garden (circa 1970)<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nguy\u1ec5n Sao is an artist, native of Vi\u00eat-Nam : he was born on the 1st of September 1915 in the village of V\u1ef9-D\u1ea1 (Hu\u00ea &#8211; Central Vi\u00eat-Nam) and died in Paris on January 27th, 2006. &nbsp; &nbsp; &nbsp; &nbsp; Nguy\u1ec5n Sao Even though\u00a0 he had inherited Asian culture, he remained quite open-minded and his work &hellip; <a href=\"https:\/\/www.nguyensao.fr\/index.php\/en\/nguyen-sao-3\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Nguy\u1ec5n Sao<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"iawp_total_views":472,"footnotes":""},"class_list":["post-1235","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Nguy\u1ec5n Sao is an artist, native of Cental Vi\u00eat-Nam.<\/title>\n<meta name=\"description\" content=\"Nguy\u1ec5n Sao was graduated from the Fine Arts Schools of Gia-\u0110inh and Paris. 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