{"id":56,"date":"2015-10-20T14:40:59","date_gmt":"2015-10-20T13:40:59","guid":{"rendered":"http:\/\/www.nguyensao.fr\/?page_id=56"},"modified":"2016-04-21T16:27:45","modified_gmt":"2016-04-21T15:27:45","slug":"estampes","status":"publish","type":"page","link":"https:\/\/www.nguyensao.fr\/index.php\/fr\/estampes\/","title":{"rendered":"Estampes"},"content":{"rendered":"
\"Carte<\/a>
Carte de v\u0153ux – ann\u00e9e du Buffle (1973)<\/figcaption><\/figure>\n

Lors de son retour en France en 1972, il renoue avec la gravure, enseignement qu’il avait re\u00e7u dans sa jeunesse \u00e0 l\u2019\u00c9cole d’art appliqu\u00e9 de Gia-\u0110inh<\/strong> – \u00e9cole fond\u00e9e en 1913 par Andr\u00e9 Joyeux <\/strong>o\u00f9 l’on enseignait le dessin, la gravure sur bois et sur cuivre et la lithographie. <\/strong><\/p>\n

A sa cr\u00e9ation, cet \u00e9tablissement avait eu pour vocation de valoriser le travail des artisans vietnamiens et de mettre en contact des \u00ab\u00a0savoir-faire<\/em>\u00a0\u00bb traditionnels avec le monde moderne.<\/p>\n

Il ex\u00e9cute ainsi une s\u00e9rie d’estampes et de cartes de v\u0153ux \u00e0 2 ou 3 couleurs. La plupart ont \u00e9t\u00e9 grav\u00e9es \u00e0 la gouge sur linol\u00e9um, certaines sur bois, et tir\u00e9es par presse \u00e0 bras en tirage limit\u00e9, sur papier de Chine ou papier cartonn\u00e9. Toutes ont pour inspiration le Vi\u00eat-Nam.<\/p>\n

\"Carte<\/a>
Carte de v\u0153ux – ann\u00e9e du Tigre (1974)<\/figcaption><\/figure>\n
\"Femmes<\/a>
Femmes des Haut-plateaux, estampe, 40×30 (vers 1972)<\/figcaption><\/figure>\n
\"La<\/a>
La belle et la b\u00eate, estampe, 40×30 (vers 1972)<\/figcaption><\/figure>\n
\"Gardien<\/a>
Gardien de buffle, estampe 40×30 (vers 1972)<\/figcaption><\/figure>\n
\"Maternit\u00e9,<\/a>
Maternit\u00e9, estampe, 50×65 (vers 1972)<\/figcaption><\/figure>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Lors de son retour en France en 1972, il renoue avec la gravure, enseignement qu’il avait re\u00e7u dans sa jeunesse \u00e0 l\u2019\u00c9cole d’art appliqu\u00e9 de Gia-\u0110inh – \u00e9cole fond\u00e9e en 1913 par Andr\u00e9 Joyeux o\u00f9 l’on enseignait le dessin, la gravure sur bois et sur cuivre et la lithographie. A sa cr\u00e9ation, cet \u00e9tablissement avait … Continuer la lecture de Estampes<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"iawp_total_views":21,"footnotes":""},"class_list":["post-56","page","type-page","status-publish","hentry"],"yoast_head":"\nEstampes - Nguyen Sao<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nguyensao.fr\/index.php\/fr\/estampes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Estampes - Nguyen Sao\" \/>\n<meta property=\"og:description\" content=\"Lors de son retour en France en 1972, il renoue avec la gravure, enseignement qu’il avait re\u00e7u dans sa jeunesse \u00e0 l\u2019\u00c9cole d’art appliqu\u00e9 de Gia-\u0110inh – \u00e9cole fond\u00e9e en 1913 par Andr\u00e9 Joyeux o\u00f9 l’on enseignait le dessin, la gravure sur bois et sur cuivre et la lithographie. 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