{"id":681,"date":"2016-05-08T12:53:50","date_gmt":"2016-05-08T11:53:50","guid":{"rendered":"http:\/\/www.nguyensao.fr\/?page_id=681"},"modified":"2016-12-07T17:29:11","modified_gmt":"2016-12-07T16:29:11","slug":"lacquer-paintings","status":"publish","type":"page","link":"https:\/\/www.nguyensao.fr\/index.php\/en\/lacquer-paintings\/","title":{"rendered":"Lacquer paintings"},"content":{"rendered":"

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In the 1960s, NGUY\u1ec4N Sao turned towards the traditional art of lacquer, to reach between 1960-1970 the summit of his artistic creation as a Master in lacquer painting<\/em><\/strong>.
\n<\/em><\/strong><\/p>\n

NGUY\u1ec4N Sao’s lacquer paintings look very much like his paintings : he actually uses a very personal technique where tints are finely produced, even in the parts carved with egg shells. Thanks to the choice of shells, in burning and in crushing them to obtain a fine powder mixed with lacquer, he suceeds in obtaining a palette nearly as rich as the oil painting one.<\/p>\n

While placing bits of shells on lacquer,\u00a0 spreading over them one or two layers of transparent lacquer and stopping pouncing at the right moment, he realizes this very particular relief effect with an extraordinary display of colours.<\/p>\n

Great artworks were thus conceived according to this process and were acquired by art collectors. We may cite among others :\u00a0\u00a0 \u00ab\u00a0Les trois Parques<\/em>\u00ab\u00a0, \u00ab\u00a0La couronne d’\u00e9pines du Christ<\/em>\u00ab\u00a0, \u00ab\u00a0Le chemin de croix<\/em>\u00ab\u00a0, \u00ab\u00a0Les baigneuses<\/em>\u00ab\u00a0…<\/p>\n

\"Les<\/a>
The three Parques, lacquer with egg shells (circa 1960)<\/figcaption><\/figure>\n

He also made many researches to mix lacquer with the so-called \u00ab\u00a0immortal<\/em>\u00a0\u00bb colours, so as to obtain intermediary colours, more subtle and fresher tints than those of the traditional lacquer paintings. He thus created a rich variety of grey-pink, grey-blue and grey-green. With these mixtures and tones really new in this field, he gave to his panels of lacquer numerous colours of classic paintings.<\/p>\n

In 1963, a first exhibition in Sa\u00efgon showed the result of two years work and patient researches with this medium.<\/p>\n

\"La<\/a>
The lady with the lotus, lacquer with gold sheets, part.coll. 80×60 (circa 1963)<\/figcaption><\/figure>\n
\"Ronde<\/a>
Dance around the poinciana tree, lacquer, 60×80 (circa 1963)<\/figcaption><\/figure>\n
\"Les<\/a>
The stations of the Cross, lacquer with egg shells, part.coll., 60×90 (circa 1960)<\/figcaption><\/figure>\n

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\"Danse<\/a>
Dance in front of Saint-Flour, lacquer, 50×60 (circa 1962)<\/figcaption><\/figure>\n
\"Les<\/a>
Ha-Tien rocks, lacquer 60×90 (circa 1965)<\/figcaption><\/figure>\n

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  In the 1960s, NGUY\u1ec4N Sao turned towards the traditional art of lacquer, to reach between 1960-1970 the summit of his artistic creation as a Master in lacquer painting. NGUY\u1ec4N Sao’s lacquer paintings look very much like his paintings : he actually uses a very personal technique where tints are finely produced, even in the … Continuer la lecture de Lacquer paintings<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"iawp_total_views":13,"footnotes":""},"class_list":["post-681","page","type-page","status-publish","hentry"],"yoast_head":"\nLacquer paintings - Nguyen Sao<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nguyensao.fr\/index.php\/en\/lacquer-paintings\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lacquer paintings - Nguyen Sao\" \/>\n<meta property=\"og:description\" content=\"  In the 1960s, NGUY\u1ec4N Sao turned towards the traditional art of lacquer, to reach between 1960-1970 the summit of his artistic creation as a Master in lacquer painting. 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